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Florent in Floret in Noir
Florent in Floret in Noir
Florent in Floret in Noir
Florent in Floret in Noir
Tania Whalen

The Maker

Tania Whalen

Brooklyn, USA

Born in London and now based in Brooklyn, Whalen creates hand-built ceramic works that honor the raw, expressive nature of clay. Using traditional pinch and coil techniques, her process is slow and intuitive, allowing each form to develop organically. Textured surfaces and sculptural silhouettes emerge through touch, balance, and restraint.

Inspired by nature, architecture, and everyday forms, her work embraces imperfection and quiet strength. Often left unglazed on the exterior, the pieces emphasize tactility and the inherent character of the material, existing as singular objects that move fluidly between function and sculpture.

Florent in Floret in Noir €635

This vessel holds a quiet, asymmetrical tension, its form folding in on itself rather than fully opening. The rim rises unevenly, creating a subtle sense of interruption, as though the bloom has turned inward or been shaped by an external force. The silhouette remains grounded by a narrow stem, lending the piece a poised but restrained stance.

Fine, linear striations run across the surface, reinforcing the feeling of slow accumulation and touch. The deep, dark glaze concentrates along the rim and interior, where it pools and catches light in brief, reflective moments.

In stock — dispatches in 3–5 days · Free shipping

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Florent in Floret in Noir €635
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  • Curator's Note

    Clear glazed interior, watertight
  • Dimensions

    H: 23 W: 19 cm
  • Materials

    Ceramic
  • Production & Delivery

    United States

Tania Whalen,

Born in London and now based in Brooklyn, Whalen creates hand-built ceramic works that honor the raw, expressive nature of clay. Using traditional pinch and coil techniques, her process is slow and intuitive, allowing each form to develop organically. Textured surfaces and sculptural silhouettes emerge through touch, balance, and restraint.

Inspired by nature, architecture, and everyday forms, her work embraces imperfection and quiet strength. Often left unglazed on the exterior, the pieces emphasize tactility and the inherent character of the material, existing as singular objects that move fluidly between function and sculpture.