Lighting

Spira Light Sculpture

Umberto Bellardi Ricci 12.800 EUR

Spira is a luminous sculpture that exists between object and atmosphere. Composed of folded metal planes, its form reveals and conceals light in equal measure, creating a slow, almost cinematic glow that shifts as you move around it. Whether standing upright or resting horizontally, Spira transforms light into a material presence—soft, directional, and deeply architectural—inviting contemplation rather than illumination alone.

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  • Curator's Note

    We love Spira for the way it treats light as a sculptural medium—controlled, restrained, and quietly powerful.
  • Materials

    Finish: Polished Mirror Stainless Steel, Fine Satin Stainless Steel 2000 kelvin

Umberto Ricci, German-Italian architect, sculptor and designer working in New York, whose work fuses industrial materials with sculptural form

German-Italian architect, sculptor, and designer Umberto Bellardi Ricci moves fluidly between the worlds of art, architecture, and design. Trained in social anthropology, philosophy, and architecture at the Architectural Association in London, his practice reflects a deep fascination with material tension and spatial composition.

Based in New York’s Navy Yard, Bellardi Ricci creates furniture and sculptural works that inhabit the intersection between structure and poetry. His pieces often juxtapose industrial and refined materials—folded steel, I-beams, bronze, marble, and glass—balancing the raw and the delicate in a dialogue of contrasts. Each work carries an architectural sensibility, yet resists the rigidity of architecture, instead revealing a quiet emotion through proportion, balance, and gesture.

Born in Luxembourg to an Italian father and German mother, Bellardi Ricci’s multicultural upbringing infuses his work with a sense of displacement and universality. His collections have been exhibited internationally across New York, Paris, and Milan, and are represented by leading contemporary design galleries. Whether sculptural lighting, furniture, or large-scale installations, his works invite contemplation—spaces and forms that feel at once industrial and deeply human.