With a background in architecture and product design, you discovered a love for glass while living and working in Japan. How did that experience influence your artistic direction?
Architecture taught me about atmosphere and space — how materials, light, and proportion shape an experience rather than just an object. It was a discipline of structure and context, of creating environments that hold emotion.
Living and working in Japan opened another dimension. There I learned about creating from within — about intuition, rhythm, and presence. Design was less about control and more about awareness; about sensing the quiet dialogue between nature, time, and material.
That experience profoundly shaped how I approach glass today. I became fascinated by how light moves through matter, how transparency and reflection can evoke stillness, and how a process can be as meaningful as the final form. Glass, to me, became a way of translating atmosphere into object — a medium through which the intangible can be felt..