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Jan Garncarek

  • Warsaw, Poland

An Artists' Search for Liberation in Structural Design

The Bio

Jan Garncarek is a designer from Warsaw who makes objects that flirt with both art and craft. His studio lives in a 19th-century factory in Żyrardów, where pigeons once ruled and now sparks fly. He works with metal, textiles, and light — materials with weight and history, but always given a twist.

Every piece is handmade. No conveyor belts, no clones. Turned by a craftsman, polished by another, finished by Jan himself. The result: objects that feel alive, not manufactured. Lamps, tables, rugs, screens — each one its own character.

Jan doesn’t do rigid definitions. He likes freedom, experiment, detours. Design, for him, is closer to a conversation — between him and his partner Ewelina, between painting and structure, between durability and poetry.

The duo’s work is personal. Their first collaboration was a messy, hand-painted canvas — more memory than object — and today it’s screens, rugs, and lighting that carry the same spirit: playful, emotional, sometimes a little rebellious. For Jan, sustainability isn’t a buzzword but a responsibility: natural materials, no shortcuts, objects built to last almost forever. The studio is a laboratory, a playground, a place where objects earn their soul.

Get in touch with us if any inquiries into Jan Garncarek's work

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The Products

  • Metropolis - Table Lamp Metropolis - Table Lamp
    • Metropolis - Table Lamp
    • 12.500 EUR
    • Jan Garncarek
    • ex. VAT
  • Metropolis - Sconces Metropolis - Sconces
    • Metropolis - Sconces
    • 2.700 EUR
    • Jan Garncarek
    • ex. VAT
  • Pilla Lamp Pilla Lamp
    • Pilla Lamp
    • 5.500 EUR
    • Jan Garncarek
    • ex. VAT
  • CBS -1 CBS -1
    • CBS -1
    • 14.500 EUR
    • Jan Garncarek
    • ex. VAT
  • Oi Lamp Oi Lamp
    • Oi Lamp
    • 2.500 EUR
    • Jan Garncarek
    • ex. VAT
  • Matylda Matylda
    • Matylda
    • 650 EUR
    • Jan Garncarek
    • ex. VAT
  • Libellula Libellula
    • Libellula
    • 6.200 EUR
    • Jan Garncarek
    • ex. VAT
  • Baba Stone - Sconce Baba Stone - Sconce
    • Baba Stone - Sconce
    • 6.500 EUR
    • Jan Garncarek
    • ex. VAT
  • Baba Brass - Sconce Baba Brass - Sconce
    • Baba Brass - Sconce
    • 4.500 EUR
    • Jan Garncarek
    • ex. VAT
  • Aurata - Pendant Lamp Aurata - Pendant Lamp
    • Aurata - Pendant Lamp
    • 6.000 EUR
    • The Orb
    • ex. VAT

The Conversation

Your studio is located in a remarkable space. Can you tell us more about the place and how you ended up there?

We were looking for a place with a soul—something born out of craft that would reflect the character of our practice. We found an abandoned 19th-century factory in Żyrardów, close to our home. We wandered through the empty halls and fell in love with the atmosphere. The building had no windows and pigeons still flew inside—yet it felt extraordinary. We managed to secure the space, and today we have 300 sqm to work with. Space is crucial to my process—you need air and room to move, to work freely and experiment.

Your works show a confident command of materials—there’s great coherence, but also a wide spectrum of media and techniques. How did you get there?

It happened naturally. I’ve always had a certain ease with design—not just creating a specific thing, but responding in a moving, meaningful way to the needs of a client or collection. We try to avoid literal, online-driven references; instead, we look at the inner world—our own experiences and family stories.

I love exploring new technologies, yet I mostly stick to natural materials. In an age of excess, we feel responsible for making objects that are durable, repairable, and able to live almost indefinitely. That’s why every piece is handmade: turned elements are made by a lathe craftsman and later polished by a specific person. We don’t do mass, machine production. That gives the work authenticity.

Your practice sits between craft and art. Do you separate the two, or do they flow into each other?

They flow into each other. First comes the artistic moment—emotion, vision, an idea of how the object should live in space. Then the design phase—drawings, ergonomics, practical application. Finally, the making—the craft. I wouldn’t dare to call myself a craftsperson; that title takes years of study and specialization. I have deep respect for people who dedicate their lives to one material or technique. We tend to push boundaries—sometimes creating things that can’t be made by classical means.

Sustainability is central for many designers today. How does it show up in your work?

It’s a recurring theme. For example, while developing our new rug collection with Ewelina’s hand-painted motifs, we thought hard about the relationship between people and objects. There are already so many rugs in the world—do we really need more? We don’t want endless production; we treat our creations as singular pieces. Not a mass brand—rather one-of-a-kind collectibles. And personally, I always choose materials responsibly: natural, durable, and recyclable. I avoid epoxies and plastics; we try not to use them even at home. It’s both a design philosophy and a personal stance.

Featured product or designer at work

Work with Jan

Through The Orb, you can collaborate directly with Jan to create a bespoke or custom piece. Each project is developed through close dialogue, material exploration, and craftsmanship—resulting in a work shaped specifically for you.
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